text: Jennifer Lepie
HOME staging, directed by Joachim von Burchard after the story collection "I'm next door" by Ingrid Lausund.
Five minutes walk you reach the man who lives in his sparsely furnished garage, the house next door you meet in the hallway resolved on a young woman in tears. After a again walk you see a woman in her living room as the shaft rotates, and eventually one will witness how a confused scientist intensively explored an institution building - with these episodes is the staging of "Home" by Joachim von Burchard an oppressive open look at the biographies and emotional worlds of four exemplary fate of our society. The figures not only open her door, but develop in their lives. In five scenes, the production tells the story of "Theater M 21" in the mobile stage and at four other locations in the vicinity, such as the respective inhabitants are set up in their homes. The audience walks this from a venue to the next. The
dressed in sterile white scientist must be a case only once in their institution apparently found after modernization to right. With meticulously all walls and surfaces are touched, weird signs read - one is not feeling at home on. On the contrary: The place is always strange. Susan Martin and the figure is playing an increasingly remote. Wild groping and language disorders are added, this is no longer a researcher at work, but you can experience how a helpless person into an increase in schizophrenia-like state.
The next place the audience meets a euphoric, young woman in a housecoat. She looks forward to the new dining table, which will come soon, is enthusiastic about the two fires that make the apartment so comfortable. But something is wrong. It quickly becomes clear that the apartment will "work", but the relationship with her boyfriend, who lives with her in it failed. Martina Hesse transported in their presentation convincing the roller coaster of emotions through which the figure is thrown.
Imme Beccard plays a young woman in the home, colorfully decorated living room. The relaxation of the "closing time position holds little, sometimes they tigert restlessly around the small coffee table. Beccard figure is driven and plagued by their Emotions for which it finds a suitable valve. She throws on the vacuum cleaner and sucks with furious vigor carpet, sofa and the soil of yucca. Nervous turning the world - perhaps the answer lies in Iceland, where the finger has landed, or is it just nostalgia?
Most haunting, however, is the story of the young man who has settled into a garage with a bed, kitchenette, table and a small aquarium. John Nehlsen gives the naive retarded residents a sad face. His eyes often seeks direct eye contact, but he tells of his childhood in the orphanage, his almost-parents and of turkey slaughterhouse, where he works. He tries make the most of all, and it outlines a life in which the tragedy of the other figures exceeded.
Staging refers to the oppressive monologue scenes a more relaxed end with a scene in which four actors play together. The shape of the monologue and the three small groups of viewers, which - according to the highlight of the play - to experience the different scenes simultaneously at different locations creates a closeness between audience and performer that will make the precarious situation even more intensely felt. The monologues are all the short stories "I'm next door taken by Ingrid Lausund. The production shows vividly how much the places where we live, talk about ourselves and how we set up our lives. The selected figures do not necessarily want to be a cross-section of society, but one can clearly imagine frightening people, living through the same. Maybe you can see in one form or another even figure itself. Just close this is to be the ideal listed productions so depressing to look real. Further performances
25th May, 1 and 2 June
clock 19:30, Goethe-Institut Merkel Straße 4
Five minutes walk you reach the man who lives in his sparsely furnished garage, the house next door you meet in the hallway resolved on a young woman in tears. After a again walk you see a woman in her living room as the shaft rotates, and eventually one will witness how a confused scientist intensively explored an institution building - with these episodes is the staging of "Home" by Joachim von Burchard an oppressive open look at the biographies and emotional worlds of four exemplary fate of our society. The figures not only open her door, but develop in their lives. In five scenes, the production tells the story of "Theater M 21" in the mobile stage and at four other locations in the vicinity, such as the respective inhabitants are set up in their homes. The audience walks this from a venue to the next. The
dressed in sterile white scientist must be a case only once in their institution apparently found after modernization to right. With meticulously all walls and surfaces are touched, weird signs read - one is not feeling at home on. On the contrary: The place is always strange. Susan Martin and the figure is playing an increasingly remote. Wild groping and language disorders are added, this is no longer a researcher at work, but you can experience how a helpless person into an increase in schizophrenia-like state.
The next place the audience meets a euphoric, young woman in a housecoat. She looks forward to the new dining table, which will come soon, is enthusiastic about the two fires that make the apartment so comfortable. But something is wrong. It quickly becomes clear that the apartment will "work", but the relationship with her boyfriend, who lives with her in it failed. Martina Hesse transported in their presentation convincing the roller coaster of emotions through which the figure is thrown.
Imme Beccard plays a young woman in the home, colorfully decorated living room. The relaxation of the "closing time position holds little, sometimes they tigert restlessly around the small coffee table. Beccard figure is driven and plagued by their Emotions for which it finds a suitable valve. She throws on the vacuum cleaner and sucks with furious vigor carpet, sofa and the soil of yucca. Nervous turning the world - perhaps the answer lies in Iceland, where the finger has landed, or is it just nostalgia?
Most haunting, however, is the story of the young man who has settled into a garage with a bed, kitchenette, table and a small aquarium. John Nehlsen gives the naive retarded residents a sad face. His eyes often seeks direct eye contact, but he tells of his childhood in the orphanage, his almost-parents and of turkey slaughterhouse, where he works. He tries make the most of all, and it outlines a life in which the tragedy of the other figures exceeded.
Staging refers to the oppressive monologue scenes a more relaxed end with a scene in which four actors play together. The shape of the monologue and the three small groups of viewers, which - according to the highlight of the play - to experience the different scenes simultaneously at different locations creates a closeness between audience and performer that will make the precarious situation even more intensely felt. The monologues are all the short stories "I'm next door taken by Ingrid Lausund. The production shows vividly how much the places where we live, talk about ourselves and how we set up our lives. The selected figures do not necessarily want to be a cross-section of society, but one can clearly imagine frightening people, living through the same. Maybe you can see in one form or another even figure itself. Just close this is to be the ideal listed productions so depressing to look real. Further performances
25th May, 1 and 2 June
clock 19:30, Goethe-Institut Merkel Straße 4
